Introduction

The Sanctuary of San Girolamo Emiliani, officially known as the Basilica of San Bartolomeo and San Girolamo Emiliani, is a revered religious site located in the parish of Somasca, in the province of Lecco, within the Diocese of Bergamo. It serves as the principal church for the Congregation of the Regular Clerics of Somasca, a religious order founded by Saint Girolamo Emiliani, whose life and works are deeply connected to the basilica. Positioned at the base of the Sacred Mount of Somasca, the basilica stands on the site of the ancient church of San Bartolomeo. This original church was rebuilt beginning in 1592 by the Somaschi Fathers, who sought to create a fitting place of worship for the growing congregation. Over the course of the 17th century, the church underwent significant enlargement and enhancement. Later renovations further transformed the structure, particularly in 1893 and 1967, as part of ongoing efforts to preserve and expand the building.
In 1959, the church was granted the prestigious title of minor basilica by Pope John XXIII, acknowledging its historical and spiritual significance. The basilica is architecturally notable for its three naves, which house two important chapels. The Chapel of the Madonna del Rosario is located in the left nave, and the Chapel of San Girolamo Emiliani is situated in the right nave. The latter chapel is of particular importance, as it contains the crypt and the relics of Saint Girolamo Emiliani, making it a place of veneration for the faithful and a key location in the history of the Somaschi order.

The Church of San Bartolomeo
The Sanctuary of San Girolamo Emiliani stands on the site of the ancient Church of San Bartolomeo, a manor church originally officiated by a paid chaplain from the Benaglio and Ondei families. In 1566, Cardinal Carlo Borromeo visited the Valle San Martino and Somasca. At that time, the church, already consecrated, was small and modest, with a central altar and a baptismal font, as well as two side altars. The altar on the right was dedicated to the Pietà, while the one on the left honored the Blessed Virgin Mary. The church contained a wooden tabernacle that housed the pyx. The entrance featured a lunette, with doors and windows on each side of the building. The presbytery was supported by an arch and pillars, topped with an iron cross, while the facade was flanked by two pillars, each supporting a bell. Behind the church was a small cemetery, which remained in use until 1815.
The Sanctuary of San Girolamo Emiliani
With the arrival of Saint Girolamo Emiliani, the regular clerics of Somasca made the Church of San Bartolomeo their headquarters. They established an orphanage, a school, and a seminary on the site. In 1566, following the pastoral visit of Cardinal Borromeo, the parish of Somasca was founded, separating it from the neighboring parish of Calolzio. In 1589, the Benaglio and Ondei families renounced their rights over the church and donated it to the Somaschi Fathers, making it an official property of the congregation by 1592.
Upon taking ownership, the Somaschi Fathers placed the body of Saint Girolamo Emiliani inside the church and began restoration work on the building. Notably, the bell tower was completed in 1615, and the pipe organ was installed in 1620. In 1626, Girolamo Emiliani was declared the patron saint of Somasca and the surrounding municipalities. His body was transferred to a crypt adorned with gold, and the church was lengthened to accommodate the growing number of pilgrims. A dedicated chapel was built to honor Saint Girolamo Emiliani. Following his beatification in 1641, his body was placed in a crypt and closed with a black tombstone. In 1747, Pope Benedict XIV beatified the saint, and in 1751, the church underwent further enhancements: the bells increased from two to five, the organ was renovated, and the chapel dedicated to Saint Girolamo Emiliani was rebuilt and consecrated on February 8, 1757.
As pilgrimages to the site grew in popularity, a staircase was built in 1761 to make the basilica more accessible. On May 13, 1766, Pope Clement XIII recognized two miracles attributed to Saint Girolamo Emiliani, leading to his canonization on October 12, 1767. His feast day was set for July 20, though the Somaschi continued to celebrate it on February 8, the day of his death. In 1778, the bell tower was raised to accommodate the enlarged church, and the remaining three bells were replaced. In the wake of the formation of the Cisalpine Republic in 1798, the Somaschi order was suppressed but was reconstituted in 1804. Between 1823 and 1850, the organ underwent several repairs before being replaced entirely in 1857 by Giuseppe Alchisio. In 1826, the first reports of a feast for Saint Girolamo Emiliani with banquets and fireworks near the Castle of the Innominato appeared. In 1828, the parishioners of Somasca petitioned to switch to the Roman Rite, though their request was denied by the Bishop of Bergamo, Pietro Mola.
The 1892 and 1967 Restorations
In 1892, a project to reconstruct the church, presented by Don Antonio Piccinelli, was approved. Work began in May of that year, and on September 15, 1893, Pope Leo XIII officially conferred the title of co-patron of Somasca to Saint Girolamo Emiliani. During the renovation, the appearance of the church was greatly changed. The steps leading to the church were altered, and six niches were created, each painted by Antonio Sibella to depict significant moments from the life of the saint. The vault and choir were frescoed by Luigi Galizzi, who also painted the fresco of the Baptism of Jesus in the baptistery. The facade was demolished, and while digging for the new foundations, numerous tombs belonging to the Somascan Fathers from the 17th century were discovered. The pronaos was preserved, and the church was lengthened, with the floor lowered by 40 cm. The new church was consecrated on October 14, 1893, and the celebrations that followed lasted three days.
In 1959, Pope John XXIII issued an apostolic brief to elevate the sanctuary to the status of a minor basilica, a process that was finalized on February 5, 1959. Following this, the basilica underwent further adjustments. In 1962, the Chapel of San Girolamo was restored, and the following year, the staircase was redone, while the Sibella aedicules were demolished. In 1967, the church underwent its last major transformation under the guidance of engineer Emilio Tenca. The chapels dedicated to San Girolamo Emiliani and the Madonna del Rosario were incorporated into the church, which was enlarged to include two side naves. A fourth arch was added to the pronaos, and in 1982, a fifth arch and additional arches were added to the right and left corners of the church, further altering its structure.
Architecture of Sanctuary of San Girolamo Emiliani, Italy

Architectural Style: Baroque architecture
Facade Design and Structure
The sanctuary, aligned with its apse to the east, follows a rectangular floor plan and is composed of three spacious naves. The basilica is surrounded by lush gardens and expansive open squares, adding to the peaceful atmosphere of the site. Visitors approach the church via a grand porphyry staircase that leads up to the churchyard, offering a majestic entrance to the sacred space. The façade of the sanctuary is designed in the Baroque style, in keeping with the overall architectural theme of the building. It is preceded by a pronaos, which is a porch or vestibule, featuring five arches. In addition to these five arches, two more arches frame the sides, creating a harmonious and grand entrance. These arches rest on pairs of sturdy columns, positioned on a raised base that adds to the height and elegance of the structure.
At the top of the pronaos is a semicircular pediment, which serves as a decorative crowning feature. This pediment houses a central niche, within which stands a statue of Saint Girolamo Emiliani, the patron saint of the basilica, offering a fitting focal point for the entrance. The main body of the façade is divided into three sections. The central section is higher than the two lateral sections, and it is capped with a horizontal cornice that ties the entire façade together. The central section is further highlighted by an entrance door made of bronze, a masterpiece crafted by the sculptor Mario Toffetti. The door panels depict significant scenes from the life of Saint Girolamo Emiliani, drawing the attention of visitors and providing a visual connection to the church’s patron saint.
Above the entrance, two narrow arched windows are positioned symmetrically, with a prominent central rose window placed between them. This rose window is an important architectural feature, allowing light to filter into the interior while adding to the aesthetic value of the building. The façade is completed by a curvilinear cornice, which elegantly caps the structure. This cornice is supported by pilasters placed at the ends, which reinforce the building’s vertical lines and add to its monumental presence. The roof of the sanctuary is pitched and rests on a load-bearing wooden structure, covered with tiles. This traditional roofing style complements the Baroque façade and enhances the overall architectural integrity of the sanctuary.
Internal Description of the Sanctuary of San Girolamo Emiliani
Layout and Architecture
The interior of the sanctuary is an impressive space, carefully designed to reflect the grandeur of its religious significance. It is divided into three naves and four bays, with a central nave that is vaulted with a barrel-shaped ceiling. This central nave is supported by large, sturdy pillars, which are adorned with four pilaster strips that feature Corinthian capitals, adding a classical touch to the structure. The two lateral naves are covered by cross vaults, creating a harmonious architectural balance within the interior. On the vault of the central nave, three key events from the life of Saint Girolamo Emiliani, the titular saint of the sanctuary, are beautifully depicted. These scenes are arranged chronologically as one moves through the church, starting from the entrance. The three events depicted are:
- Saint Girolamo Emiliani with Two Companions and the Guardian Angel
- Glory of Saint Girolamo Emiliani
- Saint Girolamo Emiliani Assisting the Poor
These frescoes, located on the central nave’s ceiling, serve not only as artistic embellishments but also as visual narratives that highlight the saint’s life and his charitable works, providing visitors with an insight into his legacy.
Choir Loft and Organ
Above the entrance, on the choir loft in the counter-façade, is a stunning pipe organ. This organ features an electric transmission system and is equipped with 22 registers across two manuals and a pedal. The organ’s prominent placement adds to the reverent atmosphere, offering both a visual and auditory focal point in the sanctuary.
Altars and Relics
In the third bay of the sanctuary, two altars stand side by side, each dedicated to significant religious figures. On the left side is the Altar of the Madonna del Rosario, which houses a statue of the Madonna placed in the niche above the altar. The altar is beautifully adorned with fifteen ovals, each representing one of the mysteries of the Rosary, which were painted by the renowned Bergamo artist Carlo Ceresa.
On the right side is the Altar of Saint Girolamo Emiliani, built between 1754 and 1757. This altar is particularly significant as it holds the relics of Saint Girolamo Emiliani, which were placed here in 1767, following the saint’s canonization. The relics are encased in a precious silver urn, crafted in 1867 by the Martinitt of Milan. Above the urn is a striking bronze high relief that depicts Saint Girolamo embracing two orphans, a moving work by the sculptor Alberto Ceppi. Below the altar stands a bronze statue of Saint Girolamo Emiliani, further honoring the saint’s memory.
Presbytery and High Altar
The presbytery is raised by six steps and is covered by a barrel vault, which gives it a sense of elevation and sanctity. In the presbytery stands the High Altar, which is designed in the Baroque style. The altar is richly decorated with polychrome marbles, providing an exquisite backdrop for the liturgical celebrations. Above the altar is a 1619 painting of Saint Girolamo Emiliani, depicting the saint in prayer during his time as a Blessed, long before his canonization. To the left of the high altar lies the Tomb of Saint Girolamo Emiliani, known as the “scurolo.” This tomb holds the relics of the saint, alongside the remains of Father Vincenzo Gambarana, a companion of Saint Girolamo, and Father Evangelista Dorati, one of the first General Fathers of the Somascan Order. The tomb is a sacred site, and it contains one of the oldest known portraits of the saint, offering a historical connection to the early days of his life and mission.
The Choir and Carlo Ceresa’s Works
The choir, which is covered by a basin-shaped ceiling, is decorated with paintings created by Carlo Ceresa, whose works are prominent throughout the sanctuary. The paintings in the choir include scenes such as:
- The Mysteries of the Holy Rosary
- Saint Jerome Invokes the Magdalene
- Madonna Invoked by Saint Philip Neri and Saint Anthony of Padua
- Saint Bartholomew in Ecstasy and the Doctors of the Church
- Holy Family with Saint John the Baptist
These works of art, along with two niches that house relics, further enrich the spiritual atmosphere of the church, underscoring the sanctuary’s role as a place of devotion and reverence. Each piece by Ceresa serves as both a visual representation of faith and a reminder of the deep historical and religious significance of the sanctuary.
Feast Day
Feast Day : 08 February
The feast day of the Sanctuary of San Girolamo Emiliani is celebrated on July 20, in honor of Saint Girolamo Emiliani’s death. This is the primary feast day observed by the Catholic Church. Additionally, the Somascan Fathers continue to honor the saint’s death on February 8 as well, in line with their tradition.
Church Mass Timing
Monday : 7:00 AM, 8:00 AM., 5:00 PM.
Tuesday : 7:00 AM, 8:00 AM., 5:00 PM.
Wednesday : 7:00 AM, 8:00 AM., 5:00 PM.
Thursday : 7:00 AM, 8:00 AM., 5:00 PM.
Friday : 7:00 AM, 8:00 AM., 5:00 PM.
Saturday : 7:00 AM, 8:30 AM, 10:00 AM, 11:30 AM., 5:00 PM
Sunday : 7:00 AM, 8:30 AM, 10:00 AM, 11:30 AM., 5:00 PM
Church Opening Time:
Monday : 6:30 am – 12:00 pm., 2:30 pm – 6:00 pm.
Tuesday : 6:30 am – 12:00 pm., 2:30 pm – 6:00 pm.
Wednesday : 6:30 am – 12:00 pm., 2:30 pm – 6:00 pm.
Thursday : 6:30 am – 12:00 pm., 2:30 pm – 6:45 pm.
Friday : 6:30 am – 12:00 pm., 2:30 pm – 6:00 pm.
Saturday : 6:30 am – 12:00 pm., 2:30 pm – 6:00 pm.
Sunday : 6:30 am – 12:00 pm., 2:30 pm – 7:15 pm.
Contact Info
Address :
Via alla Basilica, 1, 23808 Vercurago LC, Italy.
Phone : +390341420272
Accommodations
Connectivities
Airway
Sanctuary of San Girolamo Emiliani, Italy, to Kong – Airstrip, Via della Fontana, distance between 13 min (6.4 km) via SS639.
Railway
Sanctuary of San Girolamo Emiliani, Italy, to Molteno 23847 Molteno LC, Italy, distance between 29 min (14.6 km) via SP60.