Introduction
The Church of San Pietro, officially known as the Collegiate Archpriestly Church of San Pietro, is a significant Catholic place of worship situated in Trapani, Italy. It is located on Via Serraglio San Pietro, in the district of the same name, making it a central landmark in the area. One of the most striking features of the church is its unique architectural design, particularly its five expansive naves. This design is quite rare, as most churches typically have a smaller number of naves, making the Church of San Pietro stand out in terms of both its size and structural complexity. The church’s layout not only enhances its grandeur but also creates a spacious and welcoming environment for large congregations during religious services, adding to its importance as a key place of worship in Trapani.
Early Christian Era
Oral tradition suggests that the Church of San Pietro was the first Christian place of worship in Trapani. It is believed to have been built on the site of a pre-existing pagan temple following the passage of the apostle Saint Peter. This marks the beginning of the Christianization process in the area through evangelization. Over the centuries, the original sacred site underwent several conversions and reconstructions, expanding in grandeur to meet the growing demands of worship. The church’s development was influenced by various rulers, sovereigns, and architects who left their mark on its structure throughout history.
Norman Era
In 1076, Count Roger I of Sicily documented a significant reconstruction and expansion of the church. During this period, the church was granted the dignity of an archpriesthood and became a distinguished collegiate church. This marked an important step in the church’s evolution as a central place of worship in the region.
Aragonese – Spanish Era
The 13th century saw another pivotal moment for the church. During the Sicilian Vespers, the people of Trapani showed loyalty, leading Peter III of Aragon to swear an oath in the church to maintain the city’s privileges. In 1535, after his successful campaign in Tunis, Emperor Charles V of Habsburg visited the church and, in a solemn ceremony, offered an elegant standard taken from the Turkish-Ottoman armies as a gift.
Savoyard-Bourbon Era
When Vittorio Amedeo II of Savoy ascended to the throne of Sicily, he took action to improve the Church of San Pietro. His intervention came shortly after his coronation in Palermo, during his stay in the Kingdom of Sicily between October 1713 and September 1714. In 1726, the church was solemnly consecrated by Monsignor Giuseppe Barlotta Ferro. Architect Giovanni Biagio Amico oversaw the church’s rebuilding in the 18th century, completing the work in 1775. The church’s design followed a basilica plan with five naves, making it unique in Trapani.
Ferdinand III and later Ferdinand I of the Two Sicilies received the blessing of the Blessed Sacrament in this church in 1801. The Bourbon court, based in Palermo, continued to honor the church during subsequent royal visits.
19th Century Developments
From the 17th century to 1844, several petitions were made for the establishment of an episcopal seat in Trapani. Although these requests were blocked by the diocese of Mazara del Vallo and limited financial resources, the long-awaited change came in 1844. King Ferdinand II removed the obstacles, and in 1844, Pope Gregory XVI established the Diocese of Trapani, elevating the Church of San Pietro to a prominent status. The temple of San Lorenzo was later raised to the rank of cathedral, resolving the long-standing dispute with the collegiate church.
Contemporary Era
The church faced significant damage during World War II due to bombing raids that struck Trapani. Additional damage occurred during the Belice earthquake in 1968. The church remained closed for years, reopening in the 1990s for worship. Restoration work was completed in 2003, and in 2014, after further efforts, a large bronze bell, weighing 4,000 kilos, was returned to its place. In 2021, the church underwent additional upgrades, including improved lighting for the dome and restoration of the churchyard’s pavement.
Architecture of Basilica of San Pietro in Trapani, Italy
External Features
The Church of San Pietro has a west-facing façade with a bell tower positioned on the left side and apses at the eastern end. The main façade includes three entrances, with a fourth door opening to the south. This southern entrance features a small portal surmounted by a broken arch tympanum. The fifth entrance faces the north.
The central portal is framed by Ionic columns with Corinthian capitals. Above the portal, an architrave is topped with a broken tympanum, which holds an aedicule and an intermediate niche. Inside this niche is the statue of the Madonna with Child, also known as Madonna del Cardello. In the choir area, the reliefs of the Annunciation, created by the Gaginian school, are displayed on the third altar on the right. Beneath the pedestal, the coat of arms with the Triregnum and the Keys of St. Peter can be seen.
The dome, supported by tuff ribs, rises above the transept. Several smaller domes over the external naves retain some of the original 18th-century yellow-green ceramic tile covering.
Interior of the Basilica
The interior of the Church of San Pietro follows a basilica plan, divided into five naves by 14 columns and an equal number of external pillars. The original wooden roof was replaced by a brick vault in 1786, which is now adorned with frescoed panels. The choir, located against the counter-façade, is supported by a pair of columns and is fully occupied by an organ built by the Palermitan Francesco La Grassa between 1836 and 1847. In the niches flanking the central portal are statues of Saint Peter and Saint Paul.
Right Aisle
First Bay: Baptistery Chapel with a baptismal font and a wooden high relief depicting the Baptism of Jesus.
Second Span: (Description not provided)
Third Span: Southern exit gate.
Fourth Span: (Description not provided)
Fifth Span: (Description not provided)
Left Aisle
First Span: Rooms used for archives.
Second Span: (Description not provided)
Third Span: Northern exit gate.
Fourth Span: Wooden pulpit.
Fifth Span: Chapel of the Holy Crucifix, housing a Crucifix attributed to Giuseppe Milanti. The crucifix is placed on a reliquary surrounded by statues of the Virgin Mary and John the Evangelist. This space is under the patronage of Palmeggiano.
Transept
Right Arm: Chapel of St. Peter, with a statue of St. Peter sitting in a chair with pontifical robes. This wooden statue by Mario Ciotta is accompanied by a large wooden canopy.
Left Arm: Chapel of St. Paul, featuring a statue of St. Paul. A painting of St. Paul from 1617 by Andrea Carrera is displayed here.
Apsidioles
Right Apse: Chapel of the Blessed Sacrament, containing a Crucifix with a precious antependium and busts set in the oculi of the dossal.
Left Apse: Chapel of the Madonna of Trapani, which houses a statue of the Madonna of Trapani under a canopy. This structure is supported by eight columns arranged in a semicircle, inspired by the basilica sanctuary of Maria Santissima Annunziata. The rooms were historically granted to the Millers’ corporation, and large lateral paintings adorn the space.
Apse
The raised presbytery features a monumental altar facing the apse and a choir with twenty-six stalls for the college of canons. The dossal consists of pairs of columns topped with Corinthian capitals. The internal pair of columns projects, supporting an architrave surmounted by a broken tympanum. The aedicule houses the painting Transfiguration by Andrea Carrera, which was placed in the temple in 1679.
The apse dome showcases a large starburst and stucco artwork. On the side walls, paintings of the Adoration of the Magi and the Adoration of the Shepherds, both oil on canvas, are displayed.
Pipe Organ
The organ of St. Peter’s is regarded as the second most impressive pipe organ in the world, unique in its ability to reproduce the sounds of nearly every musical instrument. It is believed to even replicate the human voice. The organ consists of three separate organs and seven keyboards, with approximately 5,000 pipes of varying heights and non-traditional pitches. These pipes allow it to mimic the sound of a wide range of instruments, including brass instruments, cymbals, trumpets, horns, oboes, saxophones, bassoons, violins, cellos, clarinets, drums, fifes, and bagpipes.
Built between 1836 and 1847 by Francesco La Grassa of Palermo, the organ suffered damage during World War II due to a bombing. In 1999, restoration efforts were handed over to the Inzoli Cavalier Pacifico Company, with the Bonizzi Brothers from Ombriano leading the work. After 60 years of inactivity, the restoration was completed in February 2003. The organ was then played for the first time since the damage, with the inauguration performance conducted by Luigi Celeghin (the tester), Rudolf Kelber, and Hungarian organist Janos Sebestyen.
Feast Day
Feast Day : 29th June
The feast day of the Basilica of San Pietro in Trapani, Italy, is celebrated on June 29th. This day honors the Feast of Saints Peter and Paul, the church’s titular saints. The celebration includes religious ceremonies and events, attracting both locals and visitors to the basilica to commemorate the contributions of these two apostles to the Christian faith.
Church Mass Timing
Sunday : 11:00 AM and 6:30 PM
Church Opening Time:
Monday : Closed
Tuesday : 5:00 pm – 7:00 pm
Wednesday : 9:00 am – 12:00 pm
Thursday : 9:00 am – 12:00 pm
Friday : 9:00 am – 12:00 pm, 5:00 pm – 7:00 pm
Saturday : 9:00 am – 12:00 pm, 5:00 pm – 7:00 pm
Sunday : 9:30 am – 12:00 pm, 5:00 pm – 7:00 pm
Contact Info
Address:
Via Sergia, 91100 Trapani TP, Italy
Phone : +390923872021
Accommodations
Connectivities
Airway
Trapani-Birgi Airport (TPS) to Basilica of San Pietro in Trapani, Italy distance between 23 min (17.1 km) via SP21.
Railway
Trapani Train Station to Basilica of San Pietro in Trapani, Italy distance between 3 min (1.0 km) via Via Ammiraglio Staiti.